{"id":104333,"date":"2026-06-28T11:21:26","date_gmt":"2026-06-28T08:21:26","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=104333"},"modified":"2026-06-28T11:21:27","modified_gmt":"2026-06-28T08:21:27","slug":"marmaris-ogretmenevi-bahcesinde-f-scott-fitzgerald-ve-benjamin-buttonin-tuhaf-hikayesi","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=104333","title":{"rendered":"Marmaris \u00d6\u011fretmenevi Bah\u00e7esinde: F. Scott Fitzgerald ve BENJAM\u0130N BUTTON&#8217;IN TUHAF H\u0130KAYES\u0130"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Nusret Karaca<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200bMarmaris \u00d6\u011fretmenevi bah\u00e7esi\u2026<br>Buradaki d\u00f6rd\u00fcnc\u00fc g\u00fcn\u00fcm\u00fcz. R\u00fczg\u00e2rla ve denizle kucakla\u015f\u0131rken kitap sayfalar\u0131 aras\u0131nda dola\u015fmaya devam ediyorum. Bu kez s\u0131rada; daha \u00f6nce sinema uyarlamas\u0131n\u0131 da b\u00fcy\u00fck bir keyifle izledi\u011fim, Mehmet Erta\u00e7&#8217;\u0131n \u00e7evirdi\u011fi 2018 y\u0131l\u0131 bas\u0131m\u0131 &#8220;Benjamin Button&#8217;\u0131n Tuhaf Hikayesi&#8221; var.<br>\u200bKendisinin adland\u0131rd\u0131\u011f\u0131 &#8220;Caz \u00c7a\u011f\u0131&#8221;n\u0131n (Jazz Age) hem en b\u00fcy\u00fck kronik\u00e7isi hem de o debdebeli d\u00f6nemin sembol ismi; 20. y\u00fczy\u0131l Amerikan edebiyat\u0131n\u0131n en zarif, trajik ve ikonik yazarlar\u0131ndan F. Scott Fitzgerald&#8217;\u0131n (24 Eyl\u00fcl 1896 \u2013 21 Aral\u0131k 1940) sayfalar\u0131 aras\u0131nda dola\u015f\u0131yorum. \u00dcnl\u00fc eseri Muhte\u015fem Gatsby&#8217;nin yan\u0131 s\u0131ra bir\u00e7ok de\u011ferli esere imza atm\u0131\u015f olan Fitzgerald&#8217;\u0131n, zekice kurgulad\u0131\u011f\u0131 \u00e7ok keyifli ama bir o kadar da trajik bir \u00f6yk\u00fcs\u00fc oldu\u011funa dair yorumlar yap\u0131lm\u0131\u015f. Ger\u00e7ekten de \u00f6yle\u2026<br>\u200bBenjamin Button d\u00fcnyaya yetmi\u015flerinde, ya\u015fl\u0131 bir adam olarak g\u00f6zlerini a\u00e7ar ve kronolojik zaman ilerledik\u00e7e gen\u00e7le\u015fir. Herkes ya\u015flan\u0131rken onun gen\u00e7le\u015fmesi; hayat\u0131 ve insan ili\u015fkilerini tamamen s\u0131ra d\u0131\u015f\u0131 bir perspektife ta\u015f\u0131r. Zaman \u00e7izgileri tamamen z\u0131t y\u00f6nlere akan bir insan\u0131n hayat\u0131, \u00e7evresindekiler i\u00e7in \u00e7arp\u0131c\u0131 bir trajediye ya da tahamm\u00fcls\u00fczl\u00fc\u011fe d\u00f6n\u00fc\u015f\u00fcr. Zaman\u0131n ak\u0131\u015f\u0131n\u0131, ya\u015flanma kavram\u0131n\u0131 ve insan kimli\u011finin toplumla olan ili\u015fkisini sorgulayan bu eser, asl\u0131nda modern d\u00fcnyan\u0131n tek tiple\u015ftirme \u00e7abas\u0131na ironik bir ba\u015fkald\u0131r\u0131 gibi.<br>\u200bKitaptan o \u00e7arp\u0131c\u0131 kesitlerden birini aktaracak olursak:<br>\u200b&#8221;Git o zaman!&#8221; diye cevap verdi Roscoe k\u0131saca. Bu konu onun i\u00e7in \u00e7ok tats\u0131zd\u0131 ve bir tart\u0131\u015fmaya girmek istemiyordu.<br>&#8220;Yaln\u0131z bir \u015fekilde gidemem,&#8221; dedi Benjamin \u00e7aresizce. &#8220;Beni okula kaydettirmen ve beni oraya g\u00f6t\u00fcrmen gerekli.&#8221;<br>&#8220;Bunun i\u00e7in vaktim yok,&#8221; diye parlad\u0131 Roscoe aniden. G\u00f6zlerini k\u0131st\u0131 ve rahats\u0131z olarak babas\u0131na bakt\u0131. &#8220;Asl\u0131nda\u2026&#8221; dedi, &#8220;bu i\u015fe daha fazla devam etmesen iyi olur. Kendine gelsen iyi olur. Sen\u2026 Sen\u2026&#8221;<br>\u200bF. Scott Fitzgerald\u2019\u0131n bu \u00f6l\u00fcms\u00fcz yap\u0131t\u0131nda \u015fu temel karakterler \u00f6ne \u00e7\u0131k\u0131yor:<br>\u200bBenjamin Button: Yetmi\u015flerinde, ya\u015fl\u0131 bir adam g\u00f6r\u00fcn\u00fcm\u00fcnde d\u00fcnyaya gelen, ancak zaman ge\u00e7tik\u00e7e fiziksel olarak gen\u00e7le\u015fen ana karakter.<br>\u200bHildegarde Moncrief: Benjamin&#8217;in gen\u00e7le\u015fip yak\u0131\u015f\u0131kl\u0131 bir sava\u015f kahraman\u0131 oldu\u011fu d\u00f6nemde a\u015f\u0131k olup evlendi\u011fi, ancak kendisi ya\u015flan\u0131rken Benjamin gen\u00e7le\u015fti\u011fi i\u00e7in trajik bir kopu\u015f ya\u015fad\u0131\u011f\u0131 e\u015fi. (Not: Oscar \u00f6d\u00fcll\u00fc film uyarlamas\u0131nda bu karakter geni\u015fletilerek kar\u015f\u0131m\u0131za balerin &#8216;Daisy Fuller&#8217; olarak \u00e7\u0131kar.)<br>\u200bRoger Button: Benjamin&#8217;in babas\u0131 ve Maryland&#8217;deki \u00fcnl\u00fc bir h\u0131rdavat t\u00fcccar\u0131. Toplum bask\u0131s\u0131ndan \u00e7ok korkan, o\u011flunun &#8220;normal&#8221; bir \u00e7ocuk olmas\u0131n\u0131 isteyen otoriter bir karakterdir.<br>\u200bBayan Button: Benjamin&#8217;in annesi.<br>\u200bRoscoe Button: Benjamin ve Hildegarde&#8217;\u0131n o\u011flu. Babas\u0131n\u0131n tuhaf durumundan utanan ve zamanla roller de\u011fi\u015fince ona kendi babas\u0131ym\u0131\u015f gibi bencilce davranan karakter.<br>\u200bGeneral Moxart: Benjamin&#8217;in \u0130spanyol-Amerikan Sava\u015f\u0131 s\u0131ras\u0131nda emrinde g\u00f6rev yapt\u0131\u011f\u0131 komutan.<br>\u200b\u2026<br>\u200bVe\u2026<br>&#8220;Hayat b\u00f6yledir i\u015fte; kesi\u015fen hayatlar ve yollar zinciri, kimsenin kontrol edemedi\u011fi.&#8221;<br>(F. Scott Fitzgerald &#8211; Benjamin Button&#8217;\u0131n Tuhaf Hik\u00e2yesi)<br>\u200bEvet!<br>&#8220;Okumak bir insan\u0131 doldurur, konu\u015fmak onu haz\u0131rlar, yazmak ise olgunla\u015ft\u0131r\u0131r.&#8221; der Francis Bacon.<br>\u200bMarmaris\u2019in mavi sular\u0131na bakarken, elimdeki kitab\u0131n sayfalar\u0131n\u0131 kapat\u0131yorum. Bacon hakl\u0131; sat\u0131rlar bizi dolduruyor, Marmaris\u2019in r\u00fczg\u00e2r\u0131 ise bu dolulu\u011fu zihnimizde olgunla\u015ft\u0131r\u0131yor.<br>\u200b26 Haziran 2026 Cuma<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nusret Karaca \u200bMarmaris \u00d6\u011fretmenevi bah\u00e7esi\u2026Buradaki d\u00f6rd\u00fcnc\u00fc g\u00fcn\u00fcm\u00fcz. R\u00fczg\u00e2rla ve denizle kucakla\u015f\u0131rken kitap sayfalar\u0131 aras\u0131nda dola\u015fmaya devam ediyorum. Bu kez s\u0131rada; daha \u00f6nce sinema uyarlamas\u0131n\u0131 da&#8230;<\/p>\n","protected":false},"author":183146481,"featured_media":104337,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":11,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1063],"tags":[],"class_list":["post-104333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2026\/06\/PHOTO-2026-06-27-10-08-33.jpg?fit=1080%2C947&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-r8N","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/104333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=104333"}],"version-history":[{"count":2,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/104333\/revisions"}],"predecessor-version":[{"id":104338,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/104333\/revisions\/104338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/104337"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=104333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=104333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=104333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}