{"id":26118,"date":"2023-04-28T01:56:00","date_gmt":"2023-04-27T22:56:00","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=26118"},"modified":"2023-04-28T01:56:02","modified_gmt":"2023-04-27T22:56:02","slug":"baskentte-ve-yasamda-sanat-hayatta-ve-sanatta-beraber-olmak-zehra-cihat-yigit-aral","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=26118","title":{"rendered":"BA\u015eKENT\u2019TE VE YA\u015eAMDA SANAT Hayatta ve Sanatta Beraber Olmak Zehra, Cihat, Yi\u011fit Aral"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Hatice Kumbarac\u0131 G\u00fcrs\u00f6z<\/strong><\/p>\n\n\n\n

Devlet G\u00fczel Sanatlar Akademisi Mezunu<\/p>\n\n\n\n

 Ressam<\/p>\n\n\n\n

hkgursoz@gmail.com<\/a><\/p>\n\n\n\n

G\u00fczel Sanatlar Akademisi\u2019nden de\u011ferli hocalar\u0131m\u0131zdan Fethi Arda\u2019n\u0131n ad\u0131n\u0131 ta\u015f\u0131yan Arda Sanat Galerisi\u2019nde 23 Mart \u2013 28 Nisan\u2019da Akademi\u2019den ve \u015fimdiki ad\u0131yla Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi\u2019nden de\u011ferli mezunlar\u0131 ve benim can arkada\u015flar\u0131m\u0131n bir aile sergisi a\u00e7\u0131ld\u0131. Ressam Zehra Aral 23 Mart\u2019ta k\u0131ymetli eserleriyle a\u00e7\u0131l\u0131\u015f\u0131 yapt\u0131. Bu aile sergisi sanata sayg\u0131 olarak alg\u0131lanabilir.\u00a0<\/em><\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Zehra ve Cihat ile arkada\u015fl\u0131\u011f\u0131m Akademi\u2019ye giri\u015f ve mezun olana kadar 5 y\u0131ll\u0131k bir dostluktan sonra \u00fc\u00e7\u00fcm\u00fcz\u00fcn de Sadi Diren Hoca\u2019n\u0131n Seramik At\u00f6lyesi\u2019nde \u00f6\u011frenim g\u00f6rene dek devam etti. Bu arada \u00fc\u00e7 dost F\u0131nd\u0131kl\u0131 Ortaokulu\u2019nda \u00f6\u011fretmenli\u011fe ba\u015flad\u0131k. Bir m\u00fcddet sonra Zehra ve Cihat sevgisi evlili\u011fe kadar gitti. \u015eimdi \u00f6vg\u00fc ile bahsetti\u011fimiz Prof. Yi\u011fit Aral bu mutlu evlili\u011fin k\u0131ymetli bir hocas\u0131 ve ressam\u0131 olarak aileye kat\u0131ld\u0131. Hayat tabii bir k\u0131sa c\u00fcmle ile \u00f6zetlenemez bu 54 y\u0131l\u0131 anlatan sanat ser\u00fcveni. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Akademi\u2019de Galeri\u2019den sonra ben ve Cihat, Ne\u015fet G\u00fcnal At\u00f6lyesi\u2019nde \u00f6\u011frenim g\u00f6r\u00fcrken Zehra kar\u015f\u0131 kap\u0131m\u0131zda Bedri Rahmi Ey\u00fcpo\u011flu At\u00f6lyesi\u2019nde \u00f6\u011frenim g\u00f6r\u00fcyordu. Cihat,  Ne\u015fet G\u00fcnal At\u00f6lyesi\u2019nin \u201cmassier\u201d (s\u0131n\u0131f ba\u015fkan\u0131)  idi. Arkada\u015fl\u0131\u011f\u0131m\u0131z yan\u0131nda g\u00fcven ve yol g\u00f6stericili\u011fi de vard\u0131. Baya\u011f\u0131 da \u00e7ekinirdik At\u00f6lye Cihat\u2019tan ve ondan sorulurdu \u00f6rnek bir \u00f6\u011frenci idi. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

1969 y\u0131l\u0131nda Akademi\u2019den mezun olduktan sonra Avrupa imtihan\u0131na girerek arkada\u015fl\u0131\u011f\u0131m\u0131z devam etti. \u0130mtihan neticesi hepimiz i\u00e7in iyi bitti ama ben Paris gitmeyerek \u00e7ok k\u0131sa \u00d6zdemir Altan\u2019\u0131n asistanl\u0131\u011f\u0131 ve sonra da memleketim olan Adana\u2019ya d\u00f6n\u00fcp k\u0131sa bir s\u00fcre \u00f6\u011fretmenlik yapt\u0131m. O s\u0131rada Diplomat olan e\u015fim Bahattin\u2019le evlenip; d\u00f6rt y\u0131ll\u0131k Fransa tahsilini 43 y\u0131l 5 \u00fclkede diplomat e\u015fi olarak D\u00fcnya sanat\u0131n\u0131 incelemeye b\u0131rakt\u0131m. Paris\u2019te e\u015fimin yolu Cihat ve Zehra ile kesi\u015fti. Yi\u011fit o vakit iri g\u00f6zleri olan g\u00fczel bir bebekti. Bu hayattaki beraberlik; gelelim sanata. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Zehra Aral<\/strong><\/p>\n\n\n\n

Zehra Aral, Bedri Rahmi Ey\u00fcpo\u011flu At\u00f6lyesi\u2019nde kabiliyetli bir \u00f6\u011frenci idi. Sanat\u0131n sorumluluk bilincine varm\u0131\u015f i\u015fine ciddiye alm\u0131\u015f sanat\u00e7\u0131 kimli\u011fini kan\u0131tlam\u0131\u015f olarak 1968 y\u0131l\u0131nda mezun oldu. Zaman ve mek\u00e2n ili\u015fkisi fig\u00fcratif desenleri ve pent\u00fcrleriyle kendini anlat\u0131r. Peyzajda renklerin dinamizmi tuvaldeki yerini duygusal bir anlat\u0131ma b\u0131rak\u0131r. Bu anlat\u0131m soyut bir bi\u00e7imde yerini al\u0131r. Zaman zaman sar\u0131 renkle eserlerine bir h\u00fcz\u00fcn katar. Ya\u015famda sanat\u0131n canl\u0131 kalabilmesi i\u00e7in ifade g\u00fcc\u00fcn\u00fc ve renk armonileri ile yapt\u0131\u011f\u0131 pent\u00fcrlerin baz\u0131 eserlerinin tekrar\u0131n\u0131 ayr\u0131 tuvallerde i\u015fleyerek h\u00fczn\u00fc anlat\u0131r. Sa\u011fl\u0131k sorunlar\u0131 nedeniyle, ellerini kullanabilmek i\u00e7in \u00e7ok gayret sarf eder. Sanki v\u00fccut programlanm\u0131\u015f gibi sanat kap\u0131s\u0131n\u0131 el de\u011fi\u015ftirerek a\u00e7ar. Yap\u0131tlar\u0131nda isyank\u00e2r de\u011fil aksine do\u011fruya ve iyiye ula\u015fma \u00e7abas\u0131n\u0131 g\u00f6r\u00fcr\u00fcz.i\u00e7indeki ya\u015fama sevincini kaybetmeden   <\/p>\n\n\n\n

Naz\u0131m Hikmetin dedi\u011fi gibi;<\/p>\n\n\n\n

\u201c\u0130nan\u0131n<\/em>, <\/em><\/p>\n\n\n\n

G\u00fczel g\u00fcnler g\u00f6rece\u011fiz \u00e7ocuklar,<\/em><\/p>\n\n\n\n

G\u00fcne\u015fli g\u00fcnler g\u00f6rece\u011fiz. <\/em><\/p>\n\n\n\n

Motorlar\u0131 maviliklere s\u00fcrece\u011fiz<\/em><\/p>\n\n\n\n

\u00c7ocuklar,<\/em><\/p>\n\n\n\n

I\u015f\u0131kl\u0131 maviliklere s\u00fcrece\u011fiz.\u201d<\/em><\/p>\n\n\n\n

Ya\u015famda sa\u011fl\u0131k sorunlar\u0131n\u0131 hi\u00e7e sayarak \u00e2\u015f\u0131k oldu\u011fu sanatta y\u00fckselerek yerini al\u0131r. Temennim Cihat\u2019la olan \u00f6mr\u00fcn\u00fcz sa\u011fl\u0131kl\u0131 bir \u015fekilde devam ederken, paletin hi\u00e7 kurumas\u0131n sevgili karde\u015fim. <\/p>\n\n\n\n

Cihat Aral<\/strong><\/p>\n\n\n\n

Cihat, T\u00fcrk Resim Sanat\u0131nda sessizce ilerleyip kalender yap\u0131s\u0131 ile fig\u00fcratif resmin usta anlat\u0131c\u0131s\u0131d\u0131r. Ya\u015fam\u0131n h\u00fcz\u00fcnl\u00fc ve adaletsiz yanlar\u0131n\u0131 \u015fiirsel bir bi\u00e7imde anlatt\u0131\u011f\u0131 kompozisyonlar\u0131 ile disiplinli bir \u015fekilde imzas\u0131n\u0131 atm\u0131\u015ft\u0131r. Politik g\u00f6r\u00fc\u015fleriyle topluma olan duyarl\u0131l\u0131\u011f\u0131n\u0131 eserlerinde pent\u00fcr olarak anlatan izleyiciyi d\u00fc\u015f\u00fcnmeye iten renk ve leke armonisi ile ve vurgulu konturlarla temay\u0131 resmin i\u00e7inde ya\u015fatmaktad\u0131r.  Cihat Aral ve e\u015fi Zehra <\/strong>ile hi\u00e7 ba\u011f\u0131m\u0131z kopmad\u0131. H\u00fczn\u00fcm\u00fcz\u00fc ve sevincimizi aral\u0131klarla olsa da payla\u015ft\u0131k. <\/p>\n\n\n\n

Cihat\u2019\u0131n sanat\u00e7\u0131 kimli\u011fini yans\u0131tmam gerekirse, onu kendine \u00f6zg\u00fc tasar\u0131m\u0131ndan hi\u00e7bir zaman \u00f6d\u00fcn vermeyen, uluslararas\u0131 sanat platformunda ad\u0131 T\u00fcrk resim tarihine ge\u00e7mi\u015f ama bunlar\u0131 m\u00fctevaz\u0131 ki\u015fili\u011fiyle konu etmeyen bir sanat\u00e7\u0131 diye tan\u0131mlar\u0131m. Toplumun h\u00fcz\u00fcnl\u00fc ifadesini, m\u00fccadelesini, \u015fiddeti, yoksullu\u011fu, haks\u0131zl\u0131\u011f\u0131 sanat\u00e7\u0131n\u0131n \u00f6zg\u00fcn \u00fcslubuyla renk, leke ve konturlarla bezenen fig\u00fcratif kompozisyonlar\u0131 kendi d\u00fc\u015fsel zenginli\u011fiyle bir b\u00fct\u00fcn olu\u015fturuyor. Ayn\u0131 at\u00f6lyenin sanat\u00e7\u0131s\u0131 olarak onu ad\u0131m ad\u0131m izledim. <\/p>\n\n\n\n

Kendisi at\u00f6lye \u201cmassier\u201dsi olarak hem Ne\u015fet Hoca\u2019ya asistanl\u0131k yapm\u0131\u015f hem de bize \u00e7al\u0131\u015fma disipliniyle \u00f6rnek olmu\u015ftur. Her eserinin bir hik\u00e2yesi oldu\u011fu gibi toplumun i\u00e7indeki politik ve ya\u015famsal konular\u0131 sanat\u00e7\u0131 duyarl\u0131l\u0131\u011f\u0131 ile tuvaline yans\u0131tm\u0131\u015ft\u0131r. Eserlerindeki renk ve leke kompozisyonlar\u0131, f\u0131r\u00e7a darbeleriyle b\u00fct\u00fcnle\u015ferek, fig\u00fcratif tarzda ifade edilmi\u015ftir.  Ya\u015fayan ger\u00e7eklerin h\u00fczn\u00fcn\u00fc, serginin tamam\u0131 ise heyecan\u0131 ya\u015fatt\u0131. Eserlerinin detay\u0131na bakt\u0131\u011f\u0131mda yer yer Zehra ile b\u00fct\u00fcnle\u015fmi\u015f portresini g\u00f6rd\u00fcm bu da a\u015fk\u0131, sevgiyi ve ba\u011fl\u0131l\u0131\u011f\u0131 ifade ediyordu. Hayat m\u00fccadelesi sar\u0131n\u0131n her tonunda h\u00fczn\u00fcn ve ac\u0131n\u0131n kirlenmi\u015fli\u011fini yans\u0131t\u0131yordu. Cihat\u2019\u0131n eserleri sizi de i\u00e7ine alarak ya\u015fam\u0131n ve do\u011fan\u0131n bir par\u00e7as\u0131 k\u0131l\u0131yor. E\u011fer Can Y\u00fccel<\/strong>, Cihat\u2019\u0131n resimlerini \u015fiirleriyle ifade etseydi ruhunda gizli kalm\u0131\u015f h\u00fczn\u00fc, heyecan\u0131, ba\u015fkald\u0131r\u0131\u015f\u0131 hayk\u0131r\u0131\u015flarla s\u00f6zlere d\u00f6kerdi. Bu arada yapt\u0131\u011f\u0131 peyzaj\u0131n dinginli\u011fi, Sergi \u2019ye bir balans kazand\u0131rm\u0131\u015f. <\/p>\n\n\n\n

Adana\u2019daki sar\u0131 s\u0131ca\u011f\u0131 ben Cihat\u2019\u0131n eserlerinde \u00e7ok hissettim. Sanat\u00e7\u0131n\u0131n y\u00fcceli\u011fi ve sanat\u00e7\u0131 olman\u0131n gereklili\u011fi insan olmaktan ge\u00e7er. Y\u0131llard\u0131r tan\u0131d\u0131\u011f\u0131m Cihat maddiyattan uzak bir yakla\u015f\u0131mla, sanat\u0131ndan ve ki\u015fili\u011finden \u00f6d\u00fcn vermeksizin, Ya\u015fam\u0131n ger\u00e7eklerini insanlarla b\u00fct\u00fcnle\u015ftirip \u00fcretti\u011fi eserleriyle payla\u015fm\u0131\u015ft\u0131r. Sanat\u00e7\u0131 kimli\u011finin yan\u0131 s\u0131ra Devlet Resim Heykel M\u00fczesi m\u00fcd\u00fcrl\u00fc\u011f\u00fc ve Akademi\u2019de dekan olarak \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.  <\/p>\n\n\n\n

Uzun s\u00fcre gen\u00e7 sanat\u00e7\u0131lara \u00f6rnek olaca\u011f\u0131 sanat\u00e7\u0131 kimli\u011fiyle Cihat Aral\u2019\u0131 kutlar\u0131m. Bu kadar g\u00fczel eserlere ev sahipli\u011fi yapt\u0131\u011f\u0131 i\u00e7in Arda Sanat Galerisi\u2019ne ve Galeri y\u00f6neticisi Say\u0131n \u00d6vg\u00fc Arda ve Ender Ba\u015faran<\/strong>\u2019a te\u015fekk\u00fcr etmemiz gerekir<\/p>\n\n\n\n

 \u00d6mer Yi\u011fit Aral<\/strong><\/p>\n\n\n\n

        <\/strong>1971 y\u0131l\u0131nda Samsun\u2019da do\u011fan sanat\u00e7\u0131 1996 y\u0131l\u0131nda MS\u00dc GSF\u2019sinden mezun olmu\u015ftur. Mesleki ara\u015ft\u0131rmalarda bulunmak i\u00e7in ABD\u2019ye gitmi\u015ftir. D\u00f6nd\u00fckten sonra Sanat Eserleri Konservasyonu ve Restorasyonu B\u00f6l\u00fcm\u00fc\u2019nde B\u00f6l\u00fcm Ba\u015fkan\u0131 olarak g\u00f6rev yapmaktad\u0131r. Sanat\u00e7\u0131 ki\u015fili\u011fi birka\u00e7 sat\u0131ra s\u0131\u011fd\u0131r\u0131lamaz. <\/p>\n\n\n\n

Sanat\u00e7\u0131n\u0131n eserlerine bakt\u0131\u011f\u0131m\u0131zda D\u00fcnya\u2019n\u0131n karanl\u0131k y\u00fcz\u00fcn\u00fc harpleri ve vah\u015fetin metaforik bir evrenin fantastik bir bi\u00e7imde mitolojik hikayelerinin kavramlar\u0131yla harmanla\u015ft\u0131\u011f\u0131 d\u00fczeni masumiyet penceresinden sunu\u015funu g\u00f6r\u00fcr\u00fcz. Onun eserlerini inceledi\u011fimizde sanki bir r\u00fcyada gibisiniz. \u0130zleyicinin b\u00fcy\u00fck bir realizmle belki de ka\u00e7mak istedi\u011fi d\u00fc\u015f\u00fcncelerle y\u00fczle\u015fmesidir. Yunan mitolojisindeki hik\u00e2yeler bazen sizi r\u00fcya \u00e2lemine s\u00fcr\u00fckler, \u201cCennetin Uykusu\u201d isimli eserinde evrenin bir ba\u015fka y\u00f6n\u00fcn\u00fc g\u00f6r\u00fcyorsunuz hepsi ac\u0131 ve mutsuzluk, metafizik, do\u011fa \u00f6tesi konular, s\u00fcrrealist tekni\u011fiyle sizi ba\u015fka bir \u00e2leme s\u00fcr\u00fckl\u00fcyor. Eminim bu eserleri yarat\u0131rken ruhen \u00e7ok yorulmu\u015ftur. <\/p>\n\n\n\n

Yapt\u0131\u011f\u0131 eserler \u201cAirbrush\u201d tekni\u011fiyle f\u0131r\u00e7a darbelerini ortadan kald\u0131r\u0131p konturlar\u0131 kaybederek sizi derinli\u011fe \u00e7eker. \u0130mza atmaya gereksinmeden sunar. Yap\u0131tlar\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcm\u00fczde Yi\u011fit Aral\u2019\u0131n eseri dedirtir. Size tabiat\u0131n varl\u0131klar\u0131n\u0131 harp felaketiyle D\u00fcnya\u2019n\u0131n yok olu\u015funu anlat\u0131r. Bu kadar de\u011ferli bir sanat\u00e7\u0131ya en iyi temennim, \u201cPaletin hi\u00e7 kurumas\u0131n, \u00c7a\u011fda\u015f T\u00fcrk Resminden eserlerin hi\u00e7 eksilmesin\u201d.<\/p>\n\n\n\n

Ba\u015fkent\u2019ten \u015fimdilik bu kadar sanat ve g\u00fczelliklerin eksilmeyece\u011fi bir D\u00fcnya diliyorum.   <\/p>\n","protected":false},"excerpt":{"rendered":"

Hatice Kumbarac\u0131 G\u00fcrs\u00f6z Devlet G\u00fczel Sanatlar Akademisi Mezunu  Ressam hkgursoz@gmail.com G\u00fczel Sanatlar Akademisi\u2019nden de\u011ferli hocalar\u0131m\u0131zdan Fethi Arda\u2019n\u0131n ad\u0131n\u0131 ta\u015f\u0131yan Arda Sanat Galerisi\u2019nde 23 Mart \u2013…<\/p>\n","protected":false},"author":183146481,"featured_media":26122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":249,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1063],"tags":[],"class_list":["post-26118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-6Ng","jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2023\/04\/63-Hatice-Kumbaraci-Gursoz-Cihat-Aral-ve-Bahattin-Gursoz.jpg?fit=2048%2C1536&ssl=1","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26118"}],"version-history":[{"count":6,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26118\/revisions"}],"predecessor-version":[{"id":26130,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26118\/revisions\/26130"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/26122"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}