{"id":26735,"date":"2023-05-09T00:07:09","date_gmt":"2023-05-08T21:07:09","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=26735"},"modified":"2023-05-09T00:07:11","modified_gmt":"2023-05-08T21:07:11","slug":"sehzadenin-turbeleri","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=26735","title":{"rendered":"\u015eehzade\u2019nin T\u00fcrbeleri"},"content":{"rendered":"\n

Dr. Tuncay Gezgin <\/strong><\/p>\n\n\n\n

Sanat Tarih\u00e7i-Akademisyen <\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

Yolum bir \u015fekilde yak\u0131n\u0131ndan ge\u00e7iyorsa \u015eehzade K\u00fclliyesine<\/strong> mutlaka u\u011frar\u0131m. Her u\u011frad\u0131\u011f\u0131mda k\u00fclliyenin haziresini, t\u00fcrbeleri de ziyaret ederim. Bir niyetim de oradaki kedilerle e\u011flenmektir.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Do\u011frusu t\u00fcrbeleri g\u00f6rmek i\u00e7in kediler, kedileri g\u00f6rmek i\u00e7in t\u00fcrbeler bahanemdir. Sebep bir tarafa, \u015fehrin g\u00f6be\u011finde olmas\u0131na ra\u011fmen hep bo\u015f, \u0131ss\u0131z buldu\u011fum bu mezar yeri bana, ba\u015fka yerlerde hissetmedi\u011fim garip duygular ya\u015fatm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Cadde kenar\u0131ndaki kap\u0131n\u0131n hemen i\u00e7inde Destari Mustafa Pa\u015fa T\u00fcrbesi <\/strong>vard\u0131r. Ama ben onu sona b\u0131rak\u0131r\u0131m. \u00d6nce bir\u00e7ok t\u00fcrbenin i\u00e7i\u00e7e bulundu\u011fu hazireye giderim. Oraya da avluyu dola\u015farak di\u011fer kap\u0131s\u0131ndan girmeyi tercih ederim. Her zaman a\u00e7\u0131k olmayan bu kap\u0131 e\u011fer a\u00e7\u0131ksa ta\u015f d\u00f6\u015feli bir yolla dosdo\u011fru \u015eehzade Mehmed\u2019<\/strong>in t\u00fcrbesine g\u00f6t\u00fcr\u00fcr insan\u0131. M\u00fcmk\u00fcnse niye b\u00f6yle yapar\u0131m da hemen avluya giri\u015fte sa\u011f taraftaki kap\u0131y\u0131 kullanmam? Bunun nedeni bizim cami avlular\u0131n\u0131n, fazla \u00f6rselenmemi\u015flerse, ibadete ve duaya haz\u0131rlayan ayr\u0131 bir \u00e7ekicili\u011fi, bir atmosferi olmas\u0131d\u0131r. Bunu
ya\u015famak isterim.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bir de bu kap\u0131dan giri\u015fte \u015eehzade Mehmed t<\/strong>\u00fcrbesinin belli bir mesafeden b\u00fct\u00fcn ihti\u015fam\u0131yla g\u00f6r\u00fclmesi var. Mimar Sinan\u2019<\/strong>\u0131n yapt\u0131\u011f\u0131 eserlere, kimin ad\u0131na yap\u0131yorsa onun ki\u015fili\u011fini ruh d\u00fcnyas\u0131n\u0131 da i\u015fledi\u011fi bilinen bir ger\u00e7ek. Bu t\u00fcrbe gen\u00e7 ya\u015fta \u00f6len bir \u015fehzadenin ve onu taht\u0131 i\u00e7in haz\u0131rlayan bir cihan padi\u015fah\u0131, Kanuni<\/strong>\u2019nin, bir baba ve o\u011fulun umut, \u00f6zlem ve ayr\u0131l\u0131\u011f\u0131n\u0131n somutla\u015ft\u0131\u011f\u0131 bir \u00f6l\u00fcm abidesi.<\/p>\n\n\n\n

Dilimli kasnak ve kubbesi, renkli ta\u015f i\u015f\u00e7ili\u011fi, alt ve \u00fcst pencereleri aras\u0131nda koyu ye\u015fil mermerden ayet levhalar\u0131, vi\u015fne \u00e7\u00fcr\u00fc\u011f\u00fc ta\u015f ve tu\u011fladan ge\u00e7meli pencere s\u00f6veleri, ye\u015fil ve pembe somakiden revak s\u00fctunlar\u0131, kap\u0131s\u0131n\u0131n iki yan\u0131nda bulunan \u00e7ini panolar, duvarlar\u0131 kubbe ete\u011fine kadar kaplayan \u00e7iniler, kubbenin i\u00e7ini bezeyen malakari nak\u0131\u015flar; t\u00fcm bunlar ile renkli ve hisli bir mimari. \u015e\u00fcphesiz sanatkar\u0131n\u0131n inan\u00e7, zarafet ve ruh inceli\u011fiyle dokudu\u011fu e\u015fsiz bir eser.<\/p>\n\n\n\n

Sar\u0131, ye\u015fil ve mavi renkli, \u00e7ok detayl\u0131 bitkisel s\u00fcsleri olan \u00e7inilerle bir cennet bah\u00e7esi k\u0131vam\u0131nda i\u00e7 mekan. Otuz pencereden i\u00e7eri s\u0131zan \u0131\u015f\u0131k, mealen, \u201cAllah\u2019\u0131n rahmetinden \u00fcmit kesmeyin, Allah b\u00fct\u00fcn g\u00fcnahlar\u0131 ba\u011f\u0131\u015flar, O \u00e7ok ba\u011f\u0131\u015flay\u0131c\u0131d\u0131r, rahmet kayna\u011f\u0131d\u0131r\u201d <\/em><\/strong>yazan \u00e7ini ayet ku\u015fa\u011f\u0131n\u0131 da dolanarak bu bah\u00e7eye ve sandukalar \u00fczerine da\u011f\u0131l\u0131yor. \u0130\u00e7erde \u015eehzade Mehmed <\/strong>sandukas\u0131ndan ba\u015fka \u00fc\u00e7 sanduka daha var. Bunlardan biri Kanuni<\/strong>\u2019nin bir di\u011fer o\u011flu Cihangir<\/strong>\u2019e ait. Bir ba\u015fkas\u0131 \u015eehzade\u2019nin k\u0131z\u0131 H\u00fcma\u015fah<\/strong>
Sultan\u2019a. Cihangir\u2019in sandukas\u0131n\u0131 g\u00f6rd\u00fc\u011f\u00fcmde hep ad\u0131n\u0131 ta\u015f\u0131yan camiyi de hat\u0131rlar\u0131m. <\/p>\n\n\n\n

Bana \u00f6yle gelir ki Cihangir<\/strong>\u2019in ya\u015farken ta\u015f\u0131d\u0131\u011f\u0131 kambur, sanki apartmanlar aras\u0131na s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f camisinin s\u0131rt\u0131na da bindirilmi\u015ftir. Bu hazirenin \u00e7o\u011fu zaman \u0131ss\u0131z, bo\u015f olu\u015fu, ne zaman gelsem hemen kimseye rastlamamam beni d\u00fcnya ve ahiretin s\u0131n\u0131r\u0131ndaym\u0131\u015f\u0131m duygusuna ba\u015fka yerlerden daha \u00e7ok dald\u0131r\u0131r. \u0130stanbul\u2019un ba\u015fka b\u00fcy\u00fck
camilerinin hazirelerinde bu \u0131ss\u0131zl\u0131\u011f\u0131 bulmak pek zor. Mesela S\u00fcleymaniye haziresi <\/strong>yabanc\u0131 turist kalabal\u0131\u011f\u0131yla doludur. Oraya gitti\u011fim zaman turistlerin aras\u0131na kat\u0131l\u0131p Kanuni t\u00fcrbesinin <\/strong>i\u00e7ine girmek her zaman i\u00e7imden gelmez. Fakat \u00e7evresindeki g\u00f6n\u00fcl \u00e7elici galeriyi dola\u015fmak isterim. <\/p>\n\n\n\n

Kalabal\u0131ktan madden ve manen ayr\u0131lman\u0131n imkan\u0131n\u0131 burada bulurum. Baz\u0131lar\u0131n\u0131n i\u015flevsel g\u00f6rmedi\u011fi bu galeriyi Mimar Sinan <\/strong>niye yapt\u0131? Bir d\u00f6nem d\u00fcnyan\u0131n hakimi olan Sultan S\u00fcleyman, <\/strong>i\u015fte bu dairenin ortas\u0131nda yat\u0131yor. Bu galeri ne kadar g\u00fc\u00e7l\u00fc kuvvetli olsan da sonu \u00f6l\u00fcm olan bir devran\u0131 simgeliyor. Bir de bi\u00e7imsel olarak Kubbet\u00fcs Sahra<\/strong>\u2019ya ba\u011fl\u0131yor t\u00fcrbeyi. \u015eehzade Mehmed t\u00fcrbesinin <\/strong>arkas\u0131nda R\u00fcstem Pa\u015fa t\u00fcrbesi <\/strong>bulunuyor. Kanuni<\/strong>\u2019nin sadrazam\u0131, k\u0131z\u0131 Mihrimah Sultan\u0131n <\/strong>e\u015fi. Ya\u015farken bir\u00e7ok entrikaya kar\u0131\u015fm\u0131\u015f, yolsuzluklarla b\u00fcy\u00fck servet yapm\u0131\u015f oldu\u011fu s\u00f6ylenen pa\u015fa, \u015fimdi, Mimar Sinan <\/strong>taraf\u0131ndan yap\u0131lan t\u00fcrbesinde her \u00f6l\u00fc gibi g\u00fcnahlar\u0131n\u0131 unutturmu\u015f
masumcas\u0131na yat\u0131yor. R\u00fcstem Pa\u015fa <\/strong>yan\u0131nda o\u011flu Sultanzade Osman Bey\u2019<\/strong>in de sandukas\u0131 var. Kap\u0131s\u0131 her zaman kapal\u0131 olan t\u00fcrbeye ancak pencerelerinden bak\u0131p duvarlar\u0131ndaki zarif \u00e7inilerini seyredebiliyor insan.<\/p>\n\n\n\n

T\u00fcrbelerin \u00e7o\u011funun kap\u0131s\u0131 halka a\u00e7\u0131k de\u011fil. R\u00fcstem Pa\u015fa t\u00fcrbesi <\/strong>gibi Hatice Sultan, \u015eehzade Mahmud, ve Destari Mustafa Pa\u015fa t\u00fcrbelerinin <\/strong>kap\u0131lar\u0131 s\u0131k\u0131 s\u0131k\u0131ya kapal\u0131. Dolay\u0131s\u0131yla i\u00e7lerini g\u00f6rmek i\u00e7in pencerelerden bakmak gerekiyor. III. Mehmed\u2019in k\u0131z\u0131 Hatice Sultan, e\u015fi Mirahur Mustafa Pa\u015fa <\/strong>ve k\u00fc\u00e7\u00fck ya\u015flarda \u00f6len \u00e7ocuklar\u0131yla birlikte ad\u0131n\u0131 ta\u015f\u0131yan t\u00fcrbede medfun. T\u00fcrbe, sade ve basit, i\u00e7inde herhangi bir s\u00fcs yok. \u015eehzade Mahmud Hatice Sultan\u2019\u0131n a\u011fabeyi. <\/strong>Babas\u0131 III. Mehmed\u2019<\/strong>in taht\u0131nda g\u00f6z\u00fc
oldu\u011fu d\u00fc\u015f\u00fcncesiyle bo\u011fdurulmu\u015f. Annesi Halime Sultan <\/strong>da yan\u0131nda. Onun t\u00fcrbesinin duvarlar\u0131 da s\u00fcss\u00fcz, bo\u015f. Do\u011frusu b\u00f6yle kapal\u0131 \u00f6l\u00fcm mekanlar\u0131nda g\u00f6z\u00fc oyalayacak bir \u015fey olmad\u0131\u011f\u0131nda insan kalbinde bo\u011fucu, eziyet verici bir duygu hissediyor. Fatma Sultan t\u00fcrbesi<\/strong> baldaken tarzda a\u00e7\u0131k bir t\u00fcrbe. Fatma Sultan, \u015eehzade Mehmed\u2019in torunu ve H\u00fcma\u015fah Sultan ile Ferhad pa\u015fa\u2019n\u0131n k\u0131z\u0131. <\/strong>T\u00fcrbe, u\u00e7lar\u0131 m\u0131zrak gibi sonu\u00e7lanan d\u00fcz madeni korkulukla \u00e7evrelenmi\u015f. Lahit \u015feklinde mezar\u0131n\u0131n \u00fczerinde rozetler aras\u0131nda vazolardan \u00e7\u0131kan laleler, karanfiller, s\u00fcmb\u00fcller var. Kocas\u0131 \u015eehrizar Beylerbeyi Mustafa Pa\u015fazade Mehmet Bey\u2019<\/strong>in lahdi de yan\u0131nda ve ona benzer.<\/p>\n\n\n\n

Tasar\u0131m program\u0131yla \u015eehzade Mehmed t\u00fcrbesini <\/strong>and\u0131ran Bosnal\u0131 \u0130brahim Pa\u015fa t\u00fcrbesi<\/strong>, en az onun kadar \u00e7ini s\u00fcslemeleriyle de hayranl\u0131k uyand\u0131r\u0131yor. Bosnal\u0131 \u0130brahim Pa\u015fa, III. Mehmed <\/strong>d\u00f6neminin sadrazamlar\u0131ndan ve onun karde\u015fi Ay\u015fe Sultan<\/strong>\u2019\u0131n e\u015fi. T\u00fcrbede Pa\u015fan\u0131nkinden ba\u015fka, k\u00fc\u00e7\u00fck ya\u015fta \u00f6len o\u011flu ve k\u0131z\u0131n\u0131n da sandukalar\u0131 var. Ay\u015fe Sultan\u2019\u0131n Mimar Dalg\u0131\u00e7 Ahmed A\u011fa\u2019ya yapt\u0131rd\u0131\u011f\u0131 t\u00fcrbe,<\/strong> bir g\u00f6steri\u015f de\u011filse, sanki \u00e7ok ince bir kad\u0131n ihtimam\u0131n\u0131n izlerini ta\u015f\u0131r gibidir. Kitabesinde su i\u00e7enden dualar\u0131n \u0130brahim Pa\u015fa<\/strong> ruhu i\u00e7in istendi\u011fi, k\u00fclliyenin avlu k\u00f6\u015fe kap\u0131s\u0131 d\u0131\u015f\u0131nda bulunan ve bu k\u00f6\u015fede bulunmakla bile ferahl\u0131k veren zarif \u00e7e\u015fme de yine Ay\u015fe Sultan <\/strong>taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

B\u00fct\u00fcn bu t\u00fcrbeler haricinde \u015eehzade\u2019de sanatl\u0131 mezarta\u015flar\u0131na sahip bir\u00e7ok hanedan ve rical mensuplar\u0131na ait mezarlar bulunmaktad\u0131r. 15 Temmuz darbe giri\u015fiminde \u015fehid olan \u0130lhan Varank<\/strong>\u2019\u0131n mezar\u0131 da buradad\u0131r. Beyaz mermerden yald\u0131zl\u0131 mezarta\u015f\u0131 ve ba\u015f\u0131nda duran T\u00fcrk bayra\u011f\u0131 ile kendini belli ediyor. Onun yan\u0131nda, topra\u011f\u0131n bitti\u011fi yerde ise Sezai Karako\u00e7 <\/strong>yat\u0131yor. Neredeyse bir \u00e7ocuk mezar\u0131 kadar k\u00fc\u00e7\u00fck. \u00dczeri \u00e7i\u00e7ekli ye\u015fil bir bitki \u00f6rt\u00fcs\u00fcyle \u00f6rt\u00fcl\u00fc al\u00e7ak bir kabart\u0131dan ibaret. Hemen duvar\u0131n dibinde. Bir ad\u0131m \u00f6tesinde, tela\u015fl\u0131, h\u0131rsl\u0131, azimli, i\u015ftahl\u0131, y\u0131\u011f\u0131n y\u0131\u011f\u0131n, kanl\u0131 canl\u0131 insanlar\u0131n
durmaks\u0131z\u0131n ak\u0131p gitti\u011fi bir yol ve benim de az sonra i\u00e7ine kar\u0131\u015faca\u011f\u0131m ko\u015fturan bir kent var. Do\u011frusu bir sanat harikas\u0131 olan t\u00fcrbeler ve mezarta\u015flar\u0131 aras\u0131nda dola\u015f\u0131rken insan\u0131n akl\u0131na gelmeyen soru burada geliyor akl\u0131na: \u201cn\u2019ap\u0131yoruz biz?\u201d<\/p>\n\n\n\n

\u015eehzade\u2019nin t\u00fcrbelerini ziyaret ederken en sona b\u0131rakmay\u0131 al\u0131\u015fkanl\u0131k edindi\u011fim, hemen avlu kap\u0131s\u0131 i\u00e7indeki Destari Mustafa Pa\u015fa t\u00fcrbesi <\/strong>bana bir t\u00fcrbeden ziyade bir evmi\u015f duygusu verir. \u0130\u00e7erde Destari, III. Mehmed\u2019in k\u0131z\u0131 olan e\u015fi Ay\u015fe Sultan<\/strong> ve \u00e7ocuklar\u0131n\u0131n sandukalar\u0131 vard\u0131r. Dikd\u00f6rtgen planl\u0131 Destari t\u00fcrbesinin ortas\u0131 sekizgen kasnakl\u0131 bir kubbe, iki yan\u0131 ise aynal\u0131 tonozla \u00f6rt\u00fcl\u00fcd\u00fcr. Caddeye ve avluya bakan cephede \u00e7ift s\u0131ra pencereler bulunur. \u0130\u00e7 mekan pencere aralar\u0131 beyaz \u00fczerine mavi, ye\u015fil, firuze ve kiremit k\u0131rm\u0131z\u0131s\u0131 a\u011f\u0131rl\u0131kl\u0131 \u0130znik \u00e7inileriyle s\u00fcslenmi\u015ftir. \u00c7ini h\u0131rs\u0131zl\u0131\u011f\u0131 ya\u015fand\u0131\u011f\u0131 i\u00e7in s\u00fcrekli kapal\u0131 tutuldu\u011fu s\u00f6ylenen kap\u0131s\u0131n\u0131 siperleyen revakl\u0131 giri\u015f o kadar iddias\u0131z, davetkar ve sevimlidir ki insan orada durup kap\u0131y\u0131 t\u0131klatmak ister.<\/p>\n\n\n\n

Bir ak\u015fam ge\u00e7 vakitte, \u015eehzadenin \u00f6n\u00fcnden ge\u00e7iyordum. Birden bir hisle t\u00fcrbenin caddeye bakan pencerelerinden i\u00e7eri bakmak iste\u011fi duydum. Y\u00fcz\u00fcm\u00fc cam\u0131na yakla\u015ft\u0131rd\u0131m. Yoldan ge\u00e7en ara\u00e7lar\u0131n farlar\u0131, ye\u015filli k\u0131rm\u0131z\u0131l\u0131 trafik \u0131\u015f\u0131klar\u0131, duvarlar\u0131nda soyut bir tablo gibi, aralar\u0131ndan \u00e7inilerin \u00e7i\u00e7ekli k\u0131vr\u0131k dallar\u0131n\u0131n g\u00f6r\u00fcnd\u00fc\u011f\u00fc, renkli lekeler meydana getiriyordu. Sandukalar\u0131 da g\u00f6rmek istiyordum. \u0130yice, dikkatle bakt\u0131m. Koyu g\u00f6lgeler ve par\u0131lday\u0131p s\u00f6nen \u0131\u015f\u0131kl\u0131 yerler aras\u0131ndan ancak se\u00e7ebiliyordum
i\u00e7erisini. Elbet beni bu mezar evine bakt\u0131ran his asl\u0131nda ba\u015fka \u015feyler g\u00f6rmeye zorluyordu. Kendimi herhalde biraz da zorlad\u0131\u011f\u0131m i\u00e7in sandukan\u0131n kenar\u0131na yan d\u00f6nm\u00fc\u015f olarak oturmu\u015f fesli, kollar\u0131n\u0131 abdest alacakm\u0131\u015f gibi dirseklerine kadar s\u0131vam\u0131\u015f bir hayal g\u00f6rd\u00fcm. Zihnim hareket etmesi i\u00e7in de epey u\u011fra\u015ft\u0131 ama ba\u015faramad\u0131. <\/p>\n\n\n\n

\u00c7ocuklu\u011fumda kalan bir \u00fcrperti ve heyecan\u0131 belli ki tekrar an\u0131msamak
istiyordum. Sakinlerinin geceleri namaz k\u0131lmak i\u00e7in kalkt\u0131klar\u0131n\u0131 i\u015fitti\u011fim, bu y\u00fczden mezarlar\u0131n\u0131n yan\u0131na pe\u015fkir ve ibri\u011fin b\u0131rak\u0131ld\u0131\u011f\u0131 ve ak\u015fam vakitlerinde, isli mumluklar\u0131nda yanan mumlardan kirli sar\u0131 bir \u0131\u015f\u0131kla ayd\u0131nlanm\u0131\u015f g\u00f6lgeli ve \u00fcrk\u00fct\u00fcc\u00fc kad\u0131n y\u00fczlerinin eksik olmad\u0131\u011f\u0131 yat\u0131rlar \u00f6n\u00fcnden ge\u00e7erken hissetti\u011fim heyecan\u0131. Heyhat \u00e7ocuklu\u011fum b\u00fct\u00fcn heyecanlar\u0131yla \u00e7ok geride kalm\u0131\u015ft\u0131.<\/p>\n\n\n\n

\u015eehzade\u2019ye bir kez daha g\u00fcnd\u00fcz gelmeyi kurarak devam ettim yoluma.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dr. Tuncay Gezgin Sanat Tarih\u00e7i-Akademisyen Yolum bir \u015fekilde yak\u0131n\u0131ndan ge\u00e7iyorsa \u015eehzade K\u00fclliyesine mutlaka u\u011frar\u0131m. Her u\u011frad\u0131\u011f\u0131mda k\u00fclliyenin haziresini, t\u00fcrbeleri de ziyaret ederim. Bir niyetim de…<\/p>\n","protected":false},"author":183146481,"featured_media":26737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":289,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[1063],"tags":[],"class_list":["post-26735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2023\/05\/0-11-1.jpeg?fit=356%2C608&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-6Xd","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26735"}],"version-history":[{"count":4,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26735\/revisions"}],"predecessor-version":[{"id":26743,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/26735\/revisions\/26743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/26737"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}