{"id":33870,"date":"2023-09-16T12:49:43","date_gmt":"2023-09-16T09:49:43","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=33870"},"modified":"2023-09-16T23:00:25","modified_gmt":"2023-09-16T20:00:25","slug":"ressam-tugrul-cutsaydan-entellektuellerin-portreleri-ziya-somar-sevket-sureya-aydemir-dogan-avcioglu","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=33870","title":{"rendered":"Ressam Tu\u011frul \u00c7utsay’dan, entelekt\u00fcellerin portreleri: Ziya Somar, \u015eevket S\u00fcreya Aydemir, Do\u011fan Avc\u0131o\u011flu…"},"content":{"rendered":"\n

\u00dcmit Gezgin<\/strong><\/p>\n\n\n\n

Ressam olup da portre \u00e7izmemi\u015f bir ressam yoktur.. en me\u015fhur portrelerden olaya bak\u0131ld\u0131\u011f\u0131nda hemen akl\u0131m\u0131za Leonardo da Vinci’nin “Mona Lisa” portresi gelir.. masumiyetin \u00f6l\u00e7\u00fcs\u00fc olarak kar\u015f\u0131m\u0131za \u00e7\u0131kan bu portre sadece bir portre olmas\u0131n\u0131n \u00f6tesinde, ayn\u0131 zamanda bir zaman mekan alg\u0131lamas\u0131n\u0131n da karma\u015f\u0131k ili\u015fkilerini, perspektif olgusu, yani derinlik, espas kavram\u0131yla da bizlere g\u00fczel bir \u00f6rnek olarak sunar… <\/p>\n\n\n\n

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Jan Vermeer: \u0130nci K\u00fcpeli K\u0131z <\/p>\n\n\n\n

Ge\u00e7enlerde televizyonda “\u0130nci K\u00fcpeli K\u0131z” filmini izleyince ve roman\u0131n\u0131 da okumaya devam edince Jan Vermeer<\/strong>‘in de ne derece ba\u015far\u0131l\u0131 ve \u00f6zg\u00fcn bir portre ressam\u0131 oldu\u011funu da daha iyi anlad\u0131m.. klasik bir portre anlay\u0131\u015f\u0131n\u0131n \u00f6tesinde insan ruhunun derinliklerini ortaya \u00e7\u0131karan bir \u00f6zelli\u011fi vard\u0131 Vermeer’in de.. roman\u0131n yazar\u0131 Tracy Chevalier<\/strong>‘in de \u00e7ok ba\u015far\u0131l\u0131 bir \u015fekilde 16. y\u00fczy\u0131l Hollandas\u0131’n\u0131n ressam\u0131n ya\u015fad\u0131\u011f\u0131 Delft \u015fehrini de g\u00fczel bir \u015fekilde anlatt\u0131\u011f\u0131n\u0131 da, ayr\u0131ca yine Vermeer de Delft \u015fehrini de do\u011fal bir \u015fekilde \u00e7izmi\u015ftir… <\/p>\n\n\n\n

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<\/p>\n\n\n\n

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Resim sadece boyama de\u011fildir.. ayn\u0131 zamanda ve daha \u00e7ok \u00e7izme sanat\u0131d\u0131r.. \u00e7izgide karakter, ruh ortaya \u00e7\u0131kar.. e\u011filimler, \u00fcslup belirir ve kar\u015f\u0131 karakterlerle ba\u011flant\u0131 kurulur ve b\u00f6ylece ruhsal ak\u0131\u015f, tinsel ba\u011flant\u0131 da ger\u00e7ekle\u015fmi\u015f olur… Unutulmamal\u0131d\u0131r ki resim sadece resim de\u011fildir.. resmin \u00f6tesinde bir varl\u0131k, bir olu\u015f ve yarat\u0131 ger\u00e7ekli\u011fidir.. ruhsal ba\u011flant\u0131s\u0131 \u00f6zellikle bu y\u00fcz karakterlerinde belirgin bir \u015fekilde ortaya \u00e7\u0131kar… \u00d6zellikle entellekt\u00fcellerin ve sanat\u00e7\u0131lar\u0131n y\u00fczleriyle ortaya \u00e7\u0131kan ruh \u00f6zelli\u011fi, Tu\u011frul \u00c7utsay’\u0131n modern portre gelene\u011fine eklemlenen yap\u0131s\u0131yla \u00f6zg\u00fcn ve kal\u0131c\u0131 hale gelmi\u015ftir… <\/p>\n\n\n\n

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Hepimiz, ben dahil, de\u011ferli ressam Fatih Sarmanl\u0131, Turan Asan, Ru\u015fen E\u015fref ve elbet Tu\u011frul \u00c7utsay<\/strong>.. zaman zaman portreler yapmaya devam ediyoruz.. bunun \u00f6nc\u00fcl\u00fc\u011f\u00fcn\u00fc elbet Tu\u011frul \u00c7utsay \u00e7ekiyor.. yapt\u0131\u011f\u0131 portreler \u00f6nemli kilometre ta\u015flar\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor ve T\u00fcrk ve d\u00fcnya portrelerine \u00f6rnekler sunuyor… <\/p>\n\n\n\n

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Leonardo da Vinci: Mona Lisa <\/p>\n\n\n\n

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\u00dcmit Gezgin: Otoportre <\/p>\n\n\n\n

K\u00fclt\u00fcr ve d\u00fc\u015f\u00fcnce insanlar\u0131n\u0131n, giderek sanat ve edebiyat insanlar\u0131n\u0131n ve elbet ressamlar\u0131n portreleriyle ba\u015flayan seriye, kendi amcas\u0131 felsefeci Ziya Somar dahil, di\u011fer k\u00fclt\u00fcr insanlar\u0131 olan Do\u011fan Avc\u0131o\u011flu ve \u015eevket S\u00fcreya Aydemir’i ba\u015far\u0131l\u0131 bir \u015fekilde ka\u011f\u0131tlara aktarm\u0131\u015f olan Tu\u011frul \u00c7utsay’\u0131 ayr\u0131ca tekrar tebrik etmek gerekmektedir… <\/p>\n\n\n\n

Ziya Somar<\/strong>\u00a0(1906 – 26 Kas\u0131m 1978), T\u00fcrk felsefe doktoru. Asker bir baban\u0131n o\u011flu olarak\u00a0Yanya<\/a>‘da do\u011fdu. Balkan Sava\u015flar\u0131 sonras\u0131nda ailesi\u00a0\u0130stanbul<\/a>‘a g\u00f6\u00e7 etmek zorunda kald\u0131. Somar k\u00fc\u00e7\u00fck ya\u015fta babas\u0131n\u0131 kaybetti. Bursa \u0130dadisi’ndeki e\u011fitimi sonras\u0131nda\u00a0\u00a0\u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi<\/a>\u00a0Felsefe B\u00f6l\u00fcm\u00fcne kaydoldu (1926). Burada\u00a0\u0130smail Hakk\u0131 Baltac\u0131o\u011flu<\/a>,\u00a0Mustafa \u015eekip Tun\u00e7<\/a>,\u00a0Mehmet Emin Eri\u015firgil<\/a>\u00a0ve\u00a0Mehmet Fuat K\u00f6pr\u00fcl\u00fc<\/a>‘den dersler ald\u0131. Hocalar\u0131ndan\u00a0Mehmet \u0130zzet<\/a>\u00a0onu olduk\u00e7a etkiledi. Bundan dolay\u0131 erken ya\u015fta \u00f6len hocas\u0131 \u00fczerine doktoras\u0131n\u0131 tamamlad\u0131. <\/em><\/p>\n\n\n\n

Konya, Erzurum ve Edirne liselerinde \u00f6\u011fretmenlik yapt\u0131.\u00a0Hans Reichenbach<\/a>‘e ait\u00a0\u0130lmi Felsefe\u00a0adl\u0131 eser ile\u00a0Emile Br\u00e9hier<\/a>‘in\u00a0Alman Felsefesi Tarihi’ni T\u00fcrk\u00e7eye \u00e7evirdi. 1941’de \u0130zmir \u0130n\u00f6n\u00fc Lisesi’nde \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Onun\u00a0\u0130zmir<\/a>‘e geli\u015fi \u00e7al\u0131\u015fmalar\u0131na y\u00f6n veren bir etki yaratt\u0131. Bu \u015fehirde on y\u0131l kadar kald\u0131 ve kent tarihi \u00fczerine \u00e7e\u015fitli ara\u015ft\u0131rmalar yapt\u0131.\u00a0Akeademya\u00a0ve\u00a0Anayol\u00a0adl\u0131 dergileri \u00e7\u0131kard\u0131.\u00a0Kabata\u015f Erkek Lisesi<\/a>\u00a0ve\u00a0Atat\u00fcrk \u00dcniversitesi<\/a>‘de g\u00f6rev yapt\u0131.\u00a0\u00a0Galatasaray Lisesi<\/a>‘nden emekliye ayr\u0131ld\u0131. 26 Kas\u0131m 1978’de \u00f6ld\u00fc. Bas\u0131lmam\u0131\u015f durumdaki eserlerinin \u00e7o\u011funu\u00a0S\u00fcleymaniye K\u00fct\u00fcphanesi<\/a>‘ne ba\u011f\u0131\u015flad\u0131.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00dcmit Gezgin Ressam olup da portre \u00e7izmemi\u015f bir ressam yoktur.. en me\u015fhur portrelerden olaya bak\u0131ld\u0131\u011f\u0131nda hemen akl\u0131m\u0131za Leonardo da Vinci’nin “Mona Lisa” portresi gelir.. masumiyetin…<\/p>\n","protected":false},"author":183146481,"featured_media":33871,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_crdt_document":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":56,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false},"categories":[1063],"tags":[],"class_list":["post-33870","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2023\/09\/8bdd926b-c2e5-4a21-aea1-f4abc7fad38b.jpg?fit=1366%2C2048&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-8Oi","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/33870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33870"}],"version-history":[{"count":10,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/33870\/revisions"}],"predecessor-version":[{"id":33890,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/33870\/revisions\/33890"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/33871"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}