{"id":56309,"date":"2024-08-11T00:24:07","date_gmt":"2024-08-10T21:24:07","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=56309"},"modified":"2024-08-11T00:24:09","modified_gmt":"2024-08-10T21:24:09","slug":"modern-turk-resminde-kimlik-krizi-ve-ozgunluk-sorunsali","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=56309","title":{"rendered":"Modern T\u00fcrk Resminde Kimlik Krizi ve \u00d6zg\u00fcnl\u00fck Sorunsal\u0131"},"content":{"rendered":"\n

\u00dcmit Gezgin <\/strong><\/p>\n\n\n\n

Bat\u0131l\u0131la\u015fma sorunsal\u0131yla da alakal\u0131 kimlik krizi.. asl\u0131nda sadece resim al\u0131n\u0131nda de\u011fil, sanat\u0131n ve k\u00fclt\u00fcr\u00fcn b\u00fct\u00fcn alanlar\u0131nda ciddi bir kriz s\u00f6z konusu..kendi kimli\u011finden uzakla\u015farak, ba\u015fka bir kimli\u011fe b\u00fcr\u00fcnmeye \u00e7al\u0131\u015ft\u0131k\u00e7a yabanc\u0131la\u015fma da devreye girdi… T\u00fcrkiye\u2019de modern sanat\u0131n geli\u015fim s\u00fcrecinde sanat\u00e7\u0131lar\u0131n, Bat\u0131 sanat ak\u0131mlar\u0131 ve kendi k\u00fclt\u00fcrel miraslar\u0131 aras\u0131nda ya\u015fad\u0131\u011f\u0131 kimlik krizini ve \u00f6zg\u00fcnl\u00fck aray\u0131\u015f\u0131 hala devam ediyor ve \u00f6zg\u00fcnl\u00fck aray\u0131\u015f\u0131n\u0131n kimlikle ilgili oldu\u011funu da \u00e7o\u011fu sanat\u00e7\u0131 hala tam olarak alg\u0131lam\u0131\u015f de\u011fil… <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Hikmet Onat <\/em><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Burhan Do\u011fan\u00e7ay <\/em><\/p>\n\n\n\n

Bu konu, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son d\u00f6nemlerinden Cumhuriyet\u2019in kurulu\u015funa kadar uzanan bir d\u00f6nemde sanat\u00e7\u0131lar\u0131n kendilerini ve eserlerini nas\u0131l tan\u0131mlad\u0131klar\u0131n\u0131, kimliklerini nas\u0131l ifade ettiklerini ve bu s\u00fcre\u00e7te \u00f6zg\u00fcn bir sanat dili olu\u015fturma \u00e7abalar\u0131n\u0131 d\u00fc\u015f\u00fcnmek gerekiyor… <\/p>\n\n\n\n

Bat\u0131 Etkisi ve Kimlik Aray\u0131\u015f\u0131:<\/strong> <\/p>\n\n\n\n

Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun son d\u00f6nemlerinde Bat\u0131 ile artan etkile\u015fim, sanat\u00e7\u0131lar \u00fczerinde b\u00fcy\u00fck bir etki yaratm\u0131\u015ft\u0131r. Sanat\u00e7\u0131lar, Bat\u0131\u2019daki sanat ak\u0131mlar\u0131n\u0131 \u00f6\u011frenmi\u015f ve bunlar\u0131 kendi eserlerine yans\u0131tmaya ba\u015flam\u0131\u015flard\u0131r. Ancak bu, bir kimlik krizi yaratm\u0131\u015ft\u0131r; sanat\u00e7\u0131lar, Bat\u0131 sanat\u0131n\u0131 taklit etmekle \u00f6zg\u00fcn bir T\u00fcrk sanat\u0131 yaratmak aras\u0131nda kalm\u0131\u015flard\u0131r. Bat\u0131da ya\u015fayan sanat\u00e7\u0131lar bile kendi kimliklerinden tam olarak kurtulamam\u0131\u015flard\u0131r. \u00d6yle ki, kendi sanat dil ve disiplinleri i\u00e7inde bile tam bir yabanc\u0131la\u015fma sa\u011flanamam\u0131\u015f.. bilakis ressamlar\u0131n \u00e7o\u011fu, kendi \u00f6zg\u00fcn kimliklerine, bunu bir \u00f6zg\u00fcrl\u00fck ve \u00f6zg\u00fcnl\u00fck olarak alg\u0131layarak y\u00f6nelmi\u015flerdir… Erol Akyava\u015f, M\u00fcbin Orhun, Burhan Do\u011fan\u00e7ay… <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/strong>M\u00fcbin Orhon<\/em><\/p>\n\n\n\n

Cumhuriyet D\u00f6nemi ve Ulusal Kimlik:<\/strong> <\/p>\n\n\n\n

Cumhuriyet\u2019in ilan\u0131 ile birlikte, T\u00fcrkiye\u2019de ulusal kimlik olu\u015fturma \u00e7abalar\u0131 sanat alan\u0131nda da kendini g\u00f6stermi\u015ftir. Sanat\u00e7\u0131lar, T\u00fcrk sanat\u0131n\u0131n kendi \u00f6zg\u00fcn kimli\u011fini bulmas\u0131 gerekti\u011fini savunmu\u015f ve geleneksel Osmanl\u0131 ve T\u00fcrk sanat unsurlar\u0131n\u0131 modern tekniklerle harmanlamaya \u00e7al\u0131\u015fm\u0131\u015flard\u0131r. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Erol Akyava\u015f <\/em><\/p>\n\n\n\n

Gerek Osmanl\u0131’n\u0131n son d\u00f6nemlerinde, gerekse de Cumhuriyet’in ilk d\u00f6nemlerinde Bat\u0131’ya resim e\u011fitimine giden sanat\u00e7\u0131lar\u0131m\u0131z, bat\u0131 tekni\u011fi ve esteti\u011fini detayl\u0131 olarak \u00f6\u011frenmelerinin yan\u0131nda, ayn\u0131 zamanda kendi k\u00fclt\u00fcrel kimliklerine de y\u00f6nelerek, \u00f6zg\u00fcn ve kal\u0131c\u0131 \u00e7al\u0131\u015fmalar ortaya koymu\u015flard\u0131r… Bu konuda da \u00f6zellikle \u0130stanbul onlar i\u00e7in kurtar\u0131c\u0131 bir alan olmu\u015f.. bat\u0131daki e\u011fitimlerinin neticesinde \u0130stanbul’a d\u00f6nen ressamlar, buran\u0131n b\u00fcy\u00fcs\u00fcyle kendi kimliklerini bulmu\u015f ve \u00f6zg\u00fcrl\u00fck i\u00e7inde nitelikli \u00e7al\u0131\u015fmalar ortaya koymu\u015flard\u0131r. Bir anlamda \u0130stanbul onlar\u0131n kimlik kayb\u0131na u\u011frayarak, yabanc\u0131la\u015fmalar\u0131n\u0131n da \u00f6n\u00fcne ge\u00e7mi\u015f durumdad\u0131r… <\/p>\n\n\n\n

Altm\u0131\u015fl\u0131, Yetmi\u015fli Y\u0131llardan Sonra Geli\u015fen Kimlik Kayb\u0131:<\/strong> <\/p>\n\n\n\n

Ama altm\u0131\u015fl\u0131, yetmi\u015fli y\u0131llardan sonra geli\u015fen yap\u0131lar boyutunda bu kimlik krizi derinle\u015ferek artm\u0131\u015f.. g\u00fcn\u00fcm\u00fczde de iyice belirginle\u015ferek, adeta yabanc\u0131la\u015fman\u0131n ve kimlik kayb\u0131n\u0131n derin a\u011f\u0131 i\u00e7inde \u00e7\u0131rp\u0131n\u0131r olmu\u015ftur…<\/p>\n\n\n\n

\u00c7a\u011fda\u015f sanat, g\u00fcncel sanat, soyut sanat boyutlar\u0131nda geli\u015fen ve kimlikten ziyade abs\u00fcrt olana, yabanc\u0131la\u015fmaya, estetik ger\u00e7eklikle oynayan boyutlara y\u00f6nelen T\u00fcrk resmi, g\u00fcn\u00fcm\u00fczde art\u0131k yabanc\u0131la\u015fm\u0131\u015f boyutlarda ilerlemekte.. dahas\u0131 sadece kimlik kayb\u0131n\u0131 de\u011fil, ayn\u0131 zamanda sanatsal \u00f6zelli\u011fini de yitirmi\u015f g\u00f6r\u00fcnmektedir… <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00dcmit Gezgin Bat\u0131l\u0131la\u015fma sorunsal\u0131yla da alakal\u0131 kimlik krizi.. asl\u0131nda sadece resim al\u0131n\u0131nda de\u011fil, sanat\u0131n ve k\u00fclt\u00fcr\u00fcn b\u00fct\u00fcn alanlar\u0131nda ciddi bir kriz s\u00f6z konusu..kendi kimli\u011finden uzakla\u015farak,…<\/p>\n","protected":false},"author":183146481,"featured_media":56316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":43,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1063],"tags":[],"class_list":["post-56309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2024\/08\/erol-akyavas-vav.jpg?fit=1050%2C1050&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-eEd","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/56309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56309"}],"version-history":[{"count":10,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/56309\/revisions"}],"predecessor-version":[{"id":56325,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/56309\/revisions\/56325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/56316"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}