{"id":57730,"date":"2024-09-11T23:29:26","date_gmt":"2024-09-11T20:29:26","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=57730"},"modified":"2024-09-11T23:29:27","modified_gmt":"2024-09-11T20:29:27","slug":"hocam-ressam-teoman-sudorun-vefatinin-ardindan","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=57730","title":{"rendered":"Hocam Ressam TEOMAN S\u00dcDOR’un Vefat\u0131n\u0131n Ard\u0131ndan…"},"content":{"rendered":"\n

\u00dcmit Gezgin <\/strong><\/p>\n\n\n\n

\u0130stanbul Teknik \u00dcniversitesi, Ta\u015fk\u0131\u015fla’daki Mimarl\u0131k Fak\u00fcltesi, Sosyal Bilimler Enstit\u00fcs\u00fc’ne ba\u011fl\u0131, G\u00f6rsel ve \u00c7evresel Sanatlar Dal\u0131’nda Y\u00fcksek Lisans yapt\u0131\u011f\u0131m 1992-96 y\u0131l\u0131 aras\u0131nda, Grav\u00fcr hocam\u0131z olmu\u015ftu Teoman S\u00fcdor hocam\u0131z… <\/p>\n\n\n\n

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Daha sonra da gerek akademik d\u00fcnyada, gerekse de sanat ve sanat medyas\u0131 alan\u0131nda, ileti\u015fimimiz devam etti… Ressam G\u00fclseren S\u00fcdor ve galerici k\u0131z\u0131, Telga S\u00fcdor’la da ileti\u015fimimiz, sanatsal ba\u011f\u0131m\u0131z ve dostlu\u011fumuz de hep devam etti… <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Teoman hoca, her zaman \u00e7al\u0131\u015fkan, her zaman y\u00fcksek medeni de\u011ferlere sahip, ger\u00e7ek bir sanat\u00e7\u0131 kabiliyet ve bak\u0131\u015f a\u00e7\u0131s\u0131na sahip bir insand\u0131.. d\u00fc\u015f\u00fcncelerini a\u00e7\u0131k\u00e7a dile getirirdi… Sonsuzlu\u011fun ve I\u015f\u0131\u011f\u0131n Ressam\u0131 olarak nitelendirilmesi \u00e7ok do\u011frudur rahmetli hocam\u0131z i\u00e7in.. Bedri Rahmi Ey\u00fcbo\u011flu ekol\u00fc i\u00e7inden gelirdi Teoman-G\u00fclseren S\u00fcdor \u00e7ifti… Ayr\u0131ca \u00e7ift sanat\u00e7\u0131lar\u0131n da \u00f6nde gelenlerinden say\u0131l\u0131yorlard\u0131 her ikisi de.. Teoman hoca kendine \u00f6zg\u00fc bir dilin, d\u00fcnyan\u0131n, giderek \u0130talyan R\u00f6nesans\u0131’na referansl\u0131 modern bir dil ve anlat\u0131m\u0131n i\u00e7inde yer alarak sanat\u0131n\u0131 konumland\u0131r\u0131rd\u0131.. onun sanat\u0131 salt estetik bir g\u00f6r\u00fcnt\u00fcn\u00fcn \u00f6tesinde yer al\u0131r ve ayn\u0131 zamanda da felsefik i\u00e7eri\u011fiyle estetik \u00fcst\u00fc bir alana girer… <\/p>\n\n\n\n

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Teoman hoca her zaman g\u00fcler y\u00fczl\u00fc, esprit\u00fcel bir insand\u0131.. olaylar\u0131 geni\u015f bir perspektifle alg\u0131lar, \u00e7o\u011fu \u015feyi, bilmenin ve tahmin etmenin g\u00fcc\u00fcyle ironik kar\u015f\u0131lard\u0131.. \u00e7ok fazla konu\u015fmazd\u0131 belki ama.. konu\u015ftu\u011fu zaman da bilgi ve prensip sahibi oldu\u011funu anlard\u0131n\u0131z… <\/p>\n\n\n\n

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Fantastik ve simgesel bir d\u00fcnya kurgulard\u0131 resimleri vas\u0131tas\u0131yla.. bu simgesel d\u00fcnyalar, reel d\u00fcnyadan yola \u00e7\u0131kan, da\u011flar\u0131, a\u011fa\u00e7lar\u0131, g\u00f6ky\u00fcz\u00fcn\u00fc, ku\u015flar\u0131.. baz\u0131 simgeleri kapsar ve onlar\u0131 sonsuzlu\u011fun boyutlar\u0131nda yeniden anlamland\u0131r\u0131rd\u0131… <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

TEOMAN S\u00dcDOR<\/strong><\/p>\n\n\n\n

1968 y\u0131l\u0131nda G\u00fczel Sanatlar Akademisi\u2019nde Bedri Rahmi At\u00f6lyesi\u2019nden mezun olan Teoman S\u00fcdor, e\u011fitimini 1971-1974 y\u0131llar\u0131nda \u0130talya\u2019da Roma G\u00fczel Sanatlar Akademisi\u2019nde tamamlad\u0131. Bedri Rahmi At\u00f6lyesi\u2019nde d\u00fcnyaya bak\u0131\u015f\u0131n\u0131, \u0130talyan k\u00fclt\u00fcr\u00fc i\u00e7inde ge\u00e7irdi\u011fi y\u0131llarda da \u00f6zellikle R\u00f6nesans sanat\u0131n\u0131 \u00f6z\u00fcmseyerek ustal\u0131\u011f\u0131n\u0131 kazand\u0131. Bi\u00e7im ve ikonografik bak\u0131mdan sanat\u0131nda de\u011fi\u015fim 1980\u2019lerde a\u00e7\u0131\u011fa \u00e7\u0131kt\u0131. De\u011fi\u015fim bir ge\u00e7mi\u015ften kopu\u015f de\u011fil, ge\u00e7mi\u015fin s\u00fcreklili\u011fi i\u00e7inde yeni bir bi\u00e7eme yol almakt\u0131. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

1980 sonras\u0131 bi\u00e7eminde, Anadolu k\u00fclt\u00fcr\u00fcn\u00fcn s\u00f6ylence ve dinlerinde yarad\u0131l\u0131\u015f efsanelerinin izlerinden hareket edip kurgulad\u0131\u011f\u0131 mek\u00e2n i\u00e7inde, do\u011fa nesneleri ve ya\u015famdan toplad\u0131\u011f\u0131 imgelerle kendi s\u00f6ylencesini yaratarak, somutu soyuta \u00e7eviriyor; ard\u0131ndan soyutu somutla\u015ft\u0131r\u0131yor. Yarad\u0131l\u0131\u015f\u0131n gizine iniyor ve yery\u00fcz\u00fcn\u00fcn olu\u015fum an\u0131nda dola\u015f\u0131yor. Uzamda imgeler devingenlikle dinginli\u011fin dengeli birlikteli\u011finde varl\u0131k kazan\u0131yor. Ya\u011fl\u0131boyalar\u0131nda renk ve \u0131\u015f\u0131k, \u00f6zg\u00fcn bask\u0131larda ise \u00e7izgi ana de\u011ferdir. Kimi \u00f6zg\u00fcn bask\u0131larda kendi \u00fcretti\u011fi teknikle renk \u00e7izgiye e\u015flik eder.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n


S\u00fcdor, 1978 y\u0131l\u0131nda \u0130T\u00dc Mimarl\u0131k Fak\u00fcltesi ve G\u00fczel Sanatlar B\u00f6l\u00fcm\u00fc\u2019nde resim, temel sanat e\u011fitimi, plastik sanatlar, \u00f6zg\u00fcn bask\u0131, bi\u00e7im ve \u00e7izgi derslerini vermek \u00fczere e\u011fitime kat\u0131ld\u0131 ve \u00f6\u011fretim g\u00f6revini 2006\u2019da emekli oluncaya de\u011fin s\u00fcrd\u00fcrd\u00fc. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bir\u00e7ok \u00f6d\u00fcl sahibi olan sanat\u00e7\u0131n\u0131n resimleri yurti\u00e7i ve yurtd\u0131\u015f\u0131nda \u00f6zel koleksiyonlarda ve m\u00fczelerde bulunmaktad\u0131r. Halen \u00e7al\u0131\u015fmalar\u0131n\u0131 kendi at\u00f6lyesinde s\u00fcrd\u00fcren sanat\u00e7\u0131 ayr\u0131ca \u0130talya\u2019n\u0131n tan\u0131nm\u0131\u015f ressamlar\u0131ndan Giancolo Caneva\u2019yla Udine kentinde bir grav\u00fcr at\u00f6lyesini payla\u015fmaktad\u0131r. Teoman S\u00fcdor \u0130talya \u00c7a\u011fda\u015f Sanat Katalo\u011fu\u2019na girmi\u015f sanat\u00e7\u0131m\u0131zd\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00dcmit Gezgin \u0130stanbul Teknik \u00dcniversitesi, Ta\u015fk\u0131\u015fla’daki Mimarl\u0131k Fak\u00fcltesi, Sosyal Bilimler Enstit\u00fcs\u00fc’ne ba\u011fl\u0131, G\u00f6rsel ve \u00c7evresel Sanatlar Dal\u0131’nda Y\u00fcksek Lisans yapt\u0131\u011f\u0131m 1992-96 y\u0131l\u0131 aras\u0131nda, Grav\u00fcr hocam\u0131z…<\/p>\n","protected":false},"author":183146481,"featured_media":57739,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":114,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1063],"tags":[],"class_list":["post-57730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-f18","jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2024\/09\/teodor-sudorr.jpg?fit=346%2C489&ssl=1","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/57730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57730"}],"version-history":[{"count":12,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/57730\/revisions"}],"predecessor-version":[{"id":57751,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/57730\/revisions\/57751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/57739"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=57730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=57730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}