{"id":65912,"date":"2025-01-05T19:57:27","date_gmt":"2025-01-05T16:57:27","guid":{"rendered":"https:\/\/sanattasarimgazetesi.com\/?p=65912"},"modified":"2025-01-05T19:57:31","modified_gmt":"2025-01-05T16:57:31","slug":"ressam-beklan-muratin-fehim-guler-kuratorlugunde-acilan-homo-homini-lupus-sergisinden-izlenimler","status":"publish","type":"post","link":"https:\/\/sanattasarimgazetesi.com\/?p=65912","title":{"rendered":"Ressam BEKLAN MURAT’\u0131n, FEH\u0130M G\u00dcLER K\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde A\u00e7\u0131lan, “Homo Homini Lupus” Sergisinden \u0130zlenimler…"},"content":{"rendered":"\n

\u00dcmit Gezgin <\/strong><\/p>\n\n\n\n

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Gen\u00e7 ku\u015fak ressamlar\u0131ndan Beklan Murat’\u0131n, Fehim G\u00fcler k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde a\u00e7\u0131lan sergisine, de\u011ferli akademisyen Do\u00e7. Dr. Nermin \u00d6zcan \u00d6zer hocam\u0131z ve \u00f6\u011frencisi, makine m\u00fchendisi Muzaffer’le birlikte gittik.. M\u00fczik E\u011fitimcisi-Yazar Dr. Alp \u00d6zeren de sergi sonras\u0131na dahil oldu ve yine izlenim ve g\u00f6r\u00fc\u015flerimizi kendi aram\u0131zda payla\u015ft\u0131k… <\/p>\n\n\n\n

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Beklan Murat’\u0131n ilk ki\u015fisel sergisi olmas\u0131 bak\u0131m\u0131ndan \u00f6nemliydi sergi.. a\u00e7\u0131l\u0131\u015f\u0131nda canl\u0131 performans sunarak izleyicileri etkileyen Murat, 27 adet eserinde realizm ve s\u00fcrrealizmi \u00e7ok g\u00fczel harmanlam\u0131\u015f g\u00f6r\u00fcn\u00fcyordu… Yine ayr\u0131ca tuval \u00fczerine akrilik tekni\u011fiyle yap\u0131lan bu \u00e7al\u0131\u015fmalar\u0131n yan\u0131 s\u0131ra iki geri d\u00f6n\u00fc\u015f\u00fcm malzemesi kullanarak \u00fcretti\u011fi eserler de etkileyici nitelikteydi… <\/p>\n\n\n\n

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K\u00fcrat\u00f6r Fehim G\u00fcler, Beklan Murat hakk\u0131nda \u00f6nemli \u015feyler s\u00f6yledi: onun gelecek vaad eden bir sanat\u00e7\u0131 oldu\u011funu, belirtti.. realizmi ve s\u00fcrrealizmi harmanlayarak eserler \u00fcretti\u011fini, s\u00f6yledi.. insan do\u011fas\u0131n\u0131 dile getirdi\u011fini ve sorgulay\u0131c\u0131 bir perspektifle y\u00f6neldi\u011fini insan do\u011fas\u0131na, s\u00f6yledi.. gelecekte de iyi bir yere gelece\u011fine inand\u0131\u011f\u0131n\u0131, belirtti… <\/p>\n\n\n\n

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Gen\u00e7 ku\u015faktan bir ressam\u0131n ilk ki\u015fisel sergisi hem kendisi hem de kendi ku\u015fa\u011f\u0131 ve di\u011fer ku\u015faklar i\u00e7in ilgin\u00e7 kar\u015f\u0131la\u015fmalar uyand\u0131r\u0131r.. sergiyi gezenler ve onun resimlerini bir \u015fekilde g\u00f6renler kendi sanatlar\u0131yla ve ayn\u0131 zamanda d\u00fcnyadaki di\u011fer ya\u015fayan ve bu ku\u015faktan olan ressamlarla k\u0131yaslarlar.. bunlara da bak\u0131ld\u0131\u011f\u0131nda Beklan’\u0131n art\u0131lar\u0131 oldu\u011funu da s\u00f6ylemek gerekmektedir… <\/p>\n\n\n\n

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Bizim galeride Dr. Alp \u00d6zeren ve Do\u00e7. Dr. Nermin \u00d6zcan \u00d6zer’le oturuyorduk.. sergi sonras\u0131 de\u011ferlendirmeler ve hava durumu hakk\u0131nda da konu\u015fuyorduk.. ya\u011fmur \u015fak\u0131r \u015fak\u0131r ya\u011f\u0131yordu d\u0131\u015farda.. Kadife Sokak dolmaya ba\u015flam\u0131\u015f, Reks Sinemas\u0131’da y\u0131k\u0131lmay\u0131 bekliyordu… <\/p>\n\n\n\n

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Nermin hocam\u0131z\u0131n Almanya’dan gelen eski \u00f6\u011frencilerinden Muzaffer’i de alarak taksiyle Ba\u011fdat Caddesi G\u00f6ztepe’deki galeriye gitmi\u015ftik.. Alp de malzemelerini evine g\u00f6t\u00fcr\u00fcp, oradan gelecekti.. yeti\u015firim ben, dedi.. beni bekleyin sergide dedi.. gen\u00e7 sanat\u00e7\u0131n\u0131n bu ilk ki\u015fisel sergisini, ondaki m\u00fczikal ritmi ben de g\u00f6rmek istiyorum, dedi… <\/p>\n\n\n\n

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Biz de Nermin hoca, \u00f6\u011frencisi Muzaffer ve ben \u00fcst kattaki Evrim Sanat Galerisi’ne \u00e7\u0131kt\u0131k.. Fehim G\u00fcler ve gen\u00e7 ressam Beklan Murat’la kar\u015f\u0131la\u015ft\u0131k.. kap\u0131y\u0131 orada \u00e7al\u0131\u015fan galeri asistan\u0131 a\u00e7t\u0131.. ayr\u0131ca bizim foto\u011fraflar\u0131m\u0131z\u0131 da \u00e7ekti.. ona da te\u015fekk\u00fcrler ettik… <\/p>\n\n\n\n

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\u00d6nce oturduk, kahveler e\u015fli\u011finde Beklan’\u0131, sanat\u0131n\u0131 tan\u0131maya \u00e7al\u0131\u015ft\u0131k.. ona sorular sorduk.. sanata ne zaman ba\u015flad\u0131\u011f\u0131n\u0131, resmin onun i\u00e7in ne anlama geldi\u011fini, sorduk.. bu sorulara makine m\u00fchendisi Nermin hocam\u0131z\u0131n \u00f6\u011frencisi Muzaffer de sorular ekledi.. kendisinin ders \u00e7al\u0131\u015fmaktan ve alan\u0131yla ilgili \u00e7al\u0131\u015fmalar yapmaktan sanata zaman\u0131n kalmad\u0131\u011f\u0131n\u0131, s\u00f6yledi.. iki y\u0131ld\u0131r Almanya’da \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131, oradaki Alman m\u00fchendislerin de yeme i\u00e7me ve gezmenin d\u0131\u015f\u0131nda sanatla bir alakalar\u0131n\u0131n olmad\u0131\u011f\u0131n\u0131, belirtti… <\/p>\n\n\n\n

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BEKLAN MURAT VE HAYAT SANAT \u0130L\u0130\u015eK\u0130S\u0130 <\/p>\n\n\n\n

Gen\u00e7 ku\u015fak sanat\u00e7\u0131lar\u0131 i\u00e7inde bir yer edinmek i\u00e7in h\u0131zl\u0131 ad\u0131mlar atan Beklan Murat.. bunun ancak \u00f6zg\u00fcn bir \u00fcslup geli\u015ftirmeyle ve iddial\u0131 ad\u0131mlar atmakla m\u00fcmk\u00fcn olabilece\u011fini, biliyor… <\/p>\n\n\n\n

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G\u00f6rsel sanatlar\u0131n en \u00f6nemli alan\u0131 olan resim sanat\u0131yla hayat\u0131n\u0131 s\u00fcrd\u00fcrmek i\u00e7in yarat\u0131c\u0131l\u0131\u011f\u0131n yan\u0131nda bilin\u00e7li politikalar da geli\u015ftirmek oldu\u011funu, biliyor.. zaten bu y\u00fczden art\u0131k ki\u015fisel sergiler bile k\u00fcrat\u00f6rlerle ger\u00e7ekle\u015fiyor.. bu anlamda Fehim G\u00fcler’in k\u00fcrat\u00f6rl\u00fcklerini \u00f6nemsiyorum.. se\u00e7ti\u011fi sanat\u00e7\u0131lar hep iddial\u0131 olagelmi\u015ftir.. bu elbet onlar i\u00e7in de avantaj bir durumdur… <\/p>\n\n\n\n

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1991 \u0130stanbul do\u011fumlu Beklan Murat.. 2014 y\u0131l\u0131nda I\u015f\u0131k \u00dcniversitesi, G\u00fczel Sanatlar Fak\u00fcltesi, Grafik mezunu.. Prof. Yurdaer Alt\u0131nta\u015f i\u00e7in afi\u015f tasar\u0131m\u0131 yapt\u0131.. 2016 y\u0131l\u0131nda TattooGraph st\u00fcdyosu kurdu.. T\u00fcrkiye’nin \u00f6nde gelen ki\u015filerine d\u00f6vme, kurumlar\u0131na grafik hizmetleri verdi.. Serbest Ressam olarak T\u00fcrkiye’nin \u00f6nde gelen uluslararas\u0131 kurumlar\u0131na Duvar Resmi hizmeti verdi… <\/p>\n\n\n\n

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Bunlar ki\u015fisel geli\u015fim noktas\u0131nda sanat\u00e7\u0131y\u0131 hep belli bir yere ta\u015f\u0131r.. farkl\u0131 disiplinlerden ge\u00e7erek olgunla\u015fma, sonu\u00e7ta resim sanat\u0131na hizmete d\u00f6n\u00fc\u015f\u00fcr.. nitekim Beklan’da da bu olmu\u015f, hayat tecr\u00fcbeleri sonu\u00e7ta onu beslemi\u015f ve sanatsal olgunlu\u011fa ta\u015f\u0131m\u0131\u015f… <\/p>\n\n\n\n

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Resimlerini tek tek inceledik Beklan’\u0131n.. sorular sorduk.. hem sanat ge\u00e7mi\u015fi hakk\u0131nda ve hem de ki\u015fisellik de kokan bu resimlerindeki teknik ve estetik ser\u00fcvenle ilgili olarak.. be\u015f ya\u015f\u0131ndan beri sanatla i\u00e7li d\u0131\u015fl\u0131 oldu\u011funu anlatt\u0131 sanat\u00e7\u0131 bize.. sanat k\u00fclt\u00fcr\u00fc, sanata bak\u0131\u015f mant\u0131\u011f\u0131 sa\u011flamd\u0131.. \u00e7\u00fcnk\u00fc art\u0131k sanat bilek g\u00fcc\u00fcyle yap\u0131lm\u0131yordu.. ayn\u0131 zamanda geni\u015f bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc de olmas\u0131 gerekiyordu insan\u0131n… Bu da ziyadesiyle vard\u0131 Beklan’da… Biz de yine Nermin hoca, \u00f6\u011frencisi m\u00fchendis Muzaffer ve M\u00fczik ele\u015ftirmeni Alp’le, galeriden \u00e7\u0131kt\u0131ktan sonra bir yere oturduk ve hem sergiyi hem de sanat\u00e7\u0131y\u0131 de\u011ferlendirdik… Herkes ba\u015far\u0131l\u0131 bir sergi olarak g\u00f6rd\u00fc bu sergiyi… <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00dcmit Gezgin Gen\u00e7 ku\u015fak ressamlar\u0131ndan Beklan Murat’\u0131n, Fehim G\u00fcler k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde a\u00e7\u0131lan sergisine, de\u011ferli akademisyen Do\u00e7. Dr. Nermin \u00d6zcan \u00d6zer hocam\u0131z ve \u00f6\u011frencisi, makine m\u00fchendisi Muzaffer’le…<\/p>\n","protected":false},"author":183146481,"featured_media":65934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":45,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"{title}\n\n{excerpt}\n\n{url}","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"_wpas_customize_per_network":false,"jetpack_post_was_ever_published":false},"categories":[1063],"tags":[],"class_list":["post-65912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","entry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sanattasarimgazetesi.com\/wp-content\/uploads\/2025\/01\/IMG_3665-2.jpg?fit=4032%2C2268&ssl=1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pbQYQO-h96","_links":{"self":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/65912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/users\/183146481"}],"replies":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=65912"}],"version-history":[{"count":33,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/65912\/revisions"}],"predecessor-version":[{"id":65978,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/posts\/65912\/revisions\/65978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=\/wp\/v2\/media\/65934"}],"wp:attachment":[{"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=65912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=65912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sanattasarimgazetesi.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=65912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}